It would be an understatement to say that director Russ Meyer’s world was dominated by women, but it would also be a misconception to think that this was entirely the case. Just as much as there are women that shaped and characterised parts of Meyer’s life, in equal measure are the men that also coloured various points in his career. So, for once, lets forget about the big bosoms and celebrate those with the square jaws!
#10) German men
A big generalisation to start this countdown with but it’s well-known that Russ Meyer disliked Germans, probably as a reaction to his time spent in Europe during WWII. The director hated the Nazi regime that swept over Germany during the 1930s and 40s and frequently derided Adolf Hitler (yes, I know he was Austrian…) and Martin Bormann in his later pictures. Meyer’s long-absent father was also German, leaving his mother to raise him alone. Go figure.
#9) Harry Sledge
Mean. Ruthless. Vile. Murderous. Chilling. Impotent. Harry Sledge is the nastiest guy in the history of Russ Meyer’s career and the instigator of the most violent scene in the whole of the directors career, the infamous bath scene in the 1975 release Supervixens.
#8) Anthony James Ryan
Many of Meyer’s female stars stayed loyal to him until the very end but if there was ever a male counterpart to all of those combined it would be Anthony James Ryan. A friend since he toured with the sexploitation director in WWII, Ryan was the titular male star of Eve and the Handyman (1961), a producer and writer on several other Meyer projects and looked after the legend during his illness in his last years.
#7) The Old Man
Sleazy, creepy, deceitful and a family man?! Stuart Lancaster’s portrayal of The Old Man in Faster, Pussycat! Kill! Kill! ensured his infamy in Meyer-verse by creating one of the most popular villains in his filmography. Confined to a wheelchair, the bitter and twisted man looks after his two sons on an isolated ranch in the middle of the Mojave Desert. Traumatized by his wife’s death, hiding all his wealth in his chair and raising a disturbed and mute son into a muscular vegetable drive this man to eventual insanity and death at the hands of some dangerous and beautiful women. Camp, hilarious and vile. Perfect.
#6) David K. Frasier
Another personal friend of the director, Frasier helped Meyer archive his library for his autobiography A Clean Breast and again for Frasier’s reference book Russ Meyer: The Life and Films. Frasier’s opening chapter ‘Russ Meyer: American Auteur’ remains one of the most comprehensive and informative accounts of the directors career and filmography and Frasier recently wrote an excellent booklet to accompany Arrow Films re-release of their Russ Meyer box set. More must read literature for serous Meyer/sexploitation film fans and scholars.
#5) Charles Napier
The one and only square-jawed actor, Napier was to men what actress Tura Satana was to women in Meyer’s films. Napier was the epitome of the male, Meyer’s archetype for the sex and most loved character actor. Friends since they met on the set of 1970 release Cherry, Harry & Raquel!, Napier went on to star in a further three of Meyer’s pictures; Beyond the Valley of the Dolls, The Seven Minutes and Supervixens.
#4) Ronnie ‘Z-Man’ Barzell
One of Russ Meyer’s greatest male (or should that be female…?) creations, Z-Man is a legendary character within the world of cult film. Loosely based on music producer Phil Spector, Z-Man is the villainous producer at the heart of Beyond the Valley of the Dolls; host of the best partes, full of theatrical antics and spouting some of the best quotes cinema has to offer with Shakespearean deftness.
#3) Jimmy McDonough
Succeeding where many failed, McDonough is the author of Meyer biography Big Bosoms and Square Jaws, currently being adapted for screen. Prior to becoming ill, Meyer had already stopped one writer from publishing a biography on him and no doubt had Meyer not been ill, he would have stopped Jimmy too. Big Bosoms is an honest and interesting account of the directors life, amplifying his legacy and illuminating light onto the mans character. A must have for fans.
#2) Roger Ebert
Life-long friend of the sexploitation director, legendary film critic Roger Ebert wrote the screenplay for Meyer’s studio masterpiece Beyond the Valley of the Dolls. Not that the collaboration stopped there. Ebert, under a pseudonym, also went on to write a further two screenplays for the filmmaker, Up! and Beneath the Valley of the Ultra-Vixens, whilst also writing the script for the ill fated Sex Pistols film Who Killed Bambi?. Script-writing aside, Ebert was also important for being one of the first film critics to publicly praise Meyer’s work, draw attention to it and describe him as an auteur, championing the director until hs death.
#1) Mr. Teas
The man who started it all, Mr. Teas was the titular character from Meyer’s feature debut The Immoral Mr. Teas (1959). A simple man who starts seeing women in various stages of undress after an anaesthetic, Mr. Teas was the voyeur that Meyer knew existed in most men and who Meyer decided to make films aimed at. Rather innocent in nature compared to later male Meyer specimens, Teas was almost scared, if not terrified, by the beautiful creatures he kept seeing before him, his surprise echoing the shock of the male audience who had never seen nude women in anything other than nudist documentaries or in illegal pornography. Certainly one of the most important male characters in the history of sexual depiction in Western film, without Teas there would have been no sexploitation genre and the later pornography market probably wouldn’t have flourished as quickly as it had.